Hi everyone, thanks so much for all the wedding dress love! It was great to share all the details with you and to relive the process. I have one more wedding related post.
I wanted to share our wedding stationery which were also handmade and a joint effort between us. It was very important to me that the day reflected us as a couple and I had a strong desire to have as large a handmade element to it as possible. I stopped at the dress and the stationery as anything else would have been too much. We knew early on that we wanted the designs of our stationery to compliment each other and ideally to involve fabric - cotton as its easy to work with and also leant itself nicely to the venue.
The hardest part was choosing the designs. I was doing a lot of free motion embroidery at the time and realised this technique could give an interesting look. Adam was still intrigued by the Girih tiles we had seen in Lisbon during the summer and shared a few designs. A couple of trial runs later and we chose two designs - one for the Save the Dates and one for the Invitations. We had a very loose teal and purple theme to the wedding and chose a teal and purple polycotton from our local fabric store. These would be paired with metallic silver thread (more on that later). The motifs and words would be framed in a silver card and then mounted onto a A6 white card.
You'll see in the photos that a third motif was added at a later stage. We were struggling to come up with a nice name card design. I originally wanted to stitch the names directly onto card but the machine foot left very visible dents. When our caterers provided us with a very detailed menu for all dietary needs, Adam suggested personalised menus for everyone in exactly the same style as the others. I continued to stitch the motifs but added the third partly for speed but also to prevent boredom! While it increased the workload, I really loved being able to add this personal touch and thought they looked great on the tables. I cannot take any credit for the design of any of the insets - Adam took care of those. He managed to match the colours almost perfectly to the fabric.
The process of making all the motifs and words was one I both loved and loathed. Tracing the designs took rather a long time - I used carbon paper to ensure I could see the lines in the dark colours while stitching in the winter months. Drawing and cutting the silver squares and rectangles seemed to take too long too. But that was nothing compared to the fights I had with Hemline's silver metallic thread. More often than not, it was a nightmare to work with. It got stuck around the bobbin case or snapped at the needle more times than I care to remember. There were magical times when it worked in harmony with my machine and I stitched and stitched in the deluded hope it would never end. It will be a very long time, if ever, before I chose a thread like that again!
I love how all of the cards are the same style and how those of the same design are all unique. This is the part of handmade that pleases me the most - each item has its own personality and quirks. I was delighted to hear that they were well received and one couple pointed out that we had included something for both the seamstress and the engineer. I guess we fulfilled reflecting both us as we had hoped.
In addition, Adam designed and made our seating plan. We decided to name our tables after some of our favourite places in Europe. Choosing a vintage inspired look, he created polaroids of the places and postcards with the names of the guests before linking them with twine to a map. We used teal pins to help tie it all together. The whole thing was secured to the wonderful architects board that comes with the venue.
Thanks for your patience while I shared all of these details. We will be back to more normal sewing activities from next week - tune in for an exciting giveaway!